{"id":259,"date":"2020-07-25T19:57:57","date_gmt":"2020-07-25T19:57:57","guid":{"rendered":"http:\/\/www.ehoanimato.org\/?page_id=259"},"modified":"2020-08-10T11:22:16","modified_gmt":"2020-08-10T11:22:16","slug":"tamara-barackov","status":"publish","type":"page","link":"https:\/\/www.ehoanimato.org\/index.php\/tamara-barackov\/","title":{"rendered":"Tamara Bara\u010dkov"},"content":{"rendered":"\n<figure class=\"wp-block-image size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.ehoanimato.org\/wp-content\/uploads\/2020\/08\/26218-e1596621712267-300x300.jpg\" alt=\"\" class=\"wp-image-510\" width=\"225\" height=\"225\" srcset=\"https:\/\/www.ehoanimato.org\/wp-content\/uploads\/2020\/08\/26218-e1596621712267-300x300.jpg 300w, https:\/\/www.ehoanimato.org\/wp-content\/uploads\/2020\/08\/26218-e1596621712267-1024x1024.jpg 1024w, https:\/\/www.ehoanimato.org\/wp-content\/uploads\/2020\/08\/26218-e1596621712267-150x150.jpg 150w, https:\/\/www.ehoanimato.org\/wp-content\/uploads\/2020\/08\/26218-e1596621712267-768x768.jpg 768w, https:\/\/www.ehoanimato.org\/wp-content\/uploads\/2020\/08\/26218-e1596621712267.jpg 1200w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Tamara Bara\u010dkov (1988) diplomirala je dramaturgiju na Fakultetu dramskih umetnosti u Beogradu. Od 2012. godine zaposlena je u Radio &#8211; televiziji Srbije, gde u okviru Kulturno &#8211; umetni\u010dkog programa radi kao urednica, dramatur\u0161kinja i scenaristkinja.<\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Autorka je drama Pedeset udaraca (r. Ana Grigorovi\u0107, Atelje 212) i \u0106elija (r-Aleksandra Pavlovi\u0107, Narodno pozori\u0161te Ni\u0161), dramatizacija Homo Faber (M. Fri\u0161; r.Ana Tomovi\u0107, Atelje 212), Razgovori u \u010detiri oka (I. Bergman; r. Nina Nikoli\u0107, Makedonski narodni teatar Skoplje) i Najbolje namere (I. Bergman, r. Ana Konstantinovi\u0107, javno \u010ditanje &#8211; KC Grad i Muzej Jugoslovenske Kinoteke). Bila je dramaturg predstava Fragmenti nespokoja (F.Pesoa; r. Ana Konstantinovi\u0107, Eho Animato), Otelo (V.\u0160ekspir; r. Nina Nikoli\u0107, Makedonski narodni teatar\/ Bosansko narodno pozori\u0161te, Zenica), Rosmersholm (Henrik Ibzen, Beogradsko dramsko pozori\u0161te). <\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Za Radio Beograd napisala je radio drame Copy-Paste i Ametist, kao i radio dramatizacije Leto kada sam nau\u010dila da letim (dramatizacija romana Jasminke Petrovi\u0107) i Utroba (dramatizacija pripovetke Jevgenija Zamjatina).<\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Kao saradnica na scenariju bila je anga\u017eovana na vi\u0161e nagra\u0111enih kratkometra\u017enih igranih filmova (Crveni sneg, Mamci i udice, Od pepela &#8211; segment iz omnibusa Oktobar).<\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Njene pozori\u0161ne kritike i tekstovi objavljivani su u \u010dasopisima Scena i Teatron.<\/p>\n\n\n\n<p>U okviru kolektiva Eho animato radila je na slede\u0107im projektima:<\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.ehoanimato.org\/index.php\/fragmenti-nespokoja\/\">Fragmenti nespokoja<\/a><\/strong><\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.ehoanimato.org\/index.php\/najbolje-namere\/\">Najbolje namere<\/a><\/strong><\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.ehoanimato.org\/index.php\/rosmersholm\/\">Rosmersholm<\/a><\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tamara Bara\u010dkov (1988) diplomirala je dramaturgiju na Fakultetu dramskih umetnosti u Beogradu. Od 2012. godine zaposlena je u Radio &#8211; televiziji Srbije, gde u okviru Kulturno &#8211; umetni\u010dkog programa radi kao urednica, dramatur\u0161kinja i scenaristkinja. Autorka je drama Pedeset udaraca (r. Ana Grigorovi\u0107, Atelje 212) i \u0106elija (r-Aleksandra Pavlovi\u0107, Narodno pozori\u0161te Ni\u0161), dramatizacija Homo Faber [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-259","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/comments?post=259"}],"version-history":[{"count":9,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/259\/revisions"}],"predecessor-version":[{"id":920,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/259\/revisions\/920"}],"wp:attachment":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/media?parent=259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}