{"id":566,"date":"2020-08-05T20:18:38","date_gmt":"2020-08-05T20:18:38","guid":{"rendered":"http:\/\/www.ehoanimato.org\/?page_id=566"},"modified":"2020-08-10T11:32:24","modified_gmt":"2020-08-10T11:32:24","slug":"visnja-vujovic-2","status":"publish","type":"page","link":"https:\/\/www.ehoanimato.org\/index.php\/visnja-vujovic-2\/","title":{"rendered":"Vi\u0161nja Vujovi\u0107"},"content":{"rendered":"\n<figure class=\"wp-block-image size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.ehoanimato.org\/wp-content\/uploads\/2020\/07\/visnja-pic-1-200x300.jpg\" alt=\"\" class=\"wp-image-435\" width=\"150\" height=\"225\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Vi\u0161nja Vujovi\u0107 (1985, Ra\u0161ka) is an architect and set designer. She graduated from the Faculty of Architecture in Belgrade in 2009.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Her main interest is the conception of space in performing arts and its relation to set design and new media. She has attended several workshops dealing with these topics, including the Jan Pappelbaum\u2019s workshop, but also led several workshops for children and youth.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Her career as a set designer has been developing in Serbia, North Macedonia and Bosnia and Herzegovina. She worked on William Shakespeare\u2019s&nbsp;<em>Othello<\/em>&nbsp;(2019) in Bosnian National Theatre Zenica, Fernando Pessoa inspired&nbsp;<em>Fragments of Disquiet<\/em>&nbsp;(2019) in the National Theater Belgrade,&nbsp;<em>Seagull<\/em> by A. P. Chekhov (2018) in Macedonian National Theater in Skopje, Biljana Srbljanovi\u0107\u2019s&nbsp;<em>Belgrade Trilogy<\/em>&nbsp;(2017) in Kino Kultura in Skopje,&nbsp;<em>Rosmersholm<\/em>&nbsp;by Henrik Ibsen (2016) in Belgrade Drama Theater,&nbsp;<em>The Tempest<\/em>&nbsp;by William Shakespeare (2015) in the Regional Theater Novi Pazar,&nbsp;<em>After the Play<\/em>&nbsp;(2014) in Belgrade Youth Center.<\/p>\n\n\n\n<p>Within Eho animato, Vi\u0161nja worked on:<\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.ehoanimato.org\/index.php\/fragments-of-disquiet\/\">Fragments of Disquiet<\/a><\/strong><\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.ehoanimato.org\/index.php\/best-intentions\/\">Best Intentions<\/a><\/strong><\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.ehoanimato.org\/index.php\/rosmersholm-2\/\">Rosmersholm<\/a><\/strong><\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.ehoanimato.org\/index.php\/after-the-play\/\">After the Play<\/a><\/strong><\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.ehoanimato.org\/index.php\/biographical-sketches\/\">Biographical sketches<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vi\u0161nja Vujovi\u0107 (1985, Ra\u0161ka) is an architect and set designer. She graduated from the Faculty of Architecture in Belgrade in 2009.&nbsp; Her main interest is the conception of space in performing arts and its relation to set design and new media. She has attended several workshops dealing with these topics, including the Jan Pappelbaum\u2019s workshop, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-566","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/comments?post=566"}],"version-history":[{"count":4,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/566\/revisions"}],"predecessor-version":[{"id":935,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/566\/revisions\/935"}],"wp:attachment":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/media?parent=566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}