{"id":569,"date":"2020-08-05T20:20:27","date_gmt":"2020-08-05T20:20:27","guid":{"rendered":"http:\/\/www.ehoanimato.org\/?page_id=569"},"modified":"2021-01-13T16:51:33","modified_gmt":"2021-01-13T16:51:33","slug":"tamara-barackov-2","status":"publish","type":"page","link":"https:\/\/www.ehoanimato.org\/index.php\/tamara-barackov-2\/","title":{"rendered":"Tamara Bara\u010dkov"},"content":{"rendered":"\n
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Tamara Bara\u010dkov (1988) graduated Dramaturgy at the Faculty of Dramatic Arts in Belgrade. Since 2012, she has been working as a TV editor, dramaturge and screenwriter within the Culture and Art program of the Radio \u2013 television of Serbia.<\/p>\n\n\n\n

She authored plays Fifty Strikes<\/em> (Atelje 212, dir. Ana Grigorovi\u0107) and Cell<\/em> (National Theater Ni\u0161, dir. Aleksandra Pavlovi\u0107), as well as dramatizations of Max Frish\u2019s novel Homo Faber<\/em> (Atelje 212, dir. Ana Tomovi\u0107), Ingmar Bergman\u2019s Private Confessions<\/em> (Macedonian National Theater, dir. Nina Nikoli\u0107) and Best Intentions<\/em> (public reading, Cultural Center Grad, dir. Ana Konstantinovi\u0107). She was a dramaturge of Fragments of Disquiet<\/em> (Eho Animato, dir. Ana Konstantinovi\u0107), Othello<\/em> (William Shakespeare, Macedonian National Theater\/ Bosnian National Theatre Zenica, dir. Nina Nikoli\u0107), Rosmersholm<\/em> (Henrik Ibsen, Belgrade Drama Theater, dir. Ana Konstantinovi\u0107).<\/p>\n\n\n\n

For Radio Belgrade, she wrote radio-dramas Copy \u2013 Paste<\/em> and Amethyst<\/em>, as well as radio-dramatizations of Jasminka Petrovi\u0107\u2019s novel The Summer When I Learned How to Fly <\/em>and Yevgeny Zamyatin\u2019s short story WOMB<\/em>. <\/p>\n\n\n\n

As a screenwriter assistant, she worked on several awarded shorts (Red Snow, Baits and Hooks, Of Ashes<\/em> \u2013 a segment from October omnibus). <\/p>\n\n\n\n

Her theater reviews and texts were published in magazines Scena<\/em> and Teatron<\/em>.<\/p>\n\n\n\n

Within Eho animato, she has worked on:<\/p>\n\n\n\n

Fragments of Disquiet<\/a><\/strong><\/p>\n\n\n\n

Best Intentions<\/a><\/strong><\/p>\n\n\n\n

Rosmersholm<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Tamara Bara\u010dkov (1988) graduated Dramaturgy at the Faculty of Dramatic Arts in Belgrade. Since 2012, she has been working as a TV editor, dramaturge and screenwriter within the Culture and Art program of the Radio \u2013 television of Serbia. She authored plays Fifty Strikes (Atelje 212, dir. Ana Grigorovi\u0107) and Cell (National Theater Ni\u0161, dir. Aleksandra Pavlovi\u0107), as well […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-569","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/comments?post=569"}],"version-history":[{"count":4,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/569\/revisions"}],"predecessor-version":[{"id":1015,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/569\/revisions\/1015"}],"wp:attachment":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/media?parent=569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}