{"id":94,"date":"2020-06-16T18:19:30","date_gmt":"2020-06-16T18:19:30","guid":{"rendered":"http:\/\/www.ehoanimato.org\/?page_id=94"},"modified":"2020-11-25T21:08:52","modified_gmt":"2020-11-25T21:08:52","slug":"fragmenti-nespokoja","status":"publish","type":"page","link":"https:\/\/www.ehoanimato.org\/index.php\/fragmenti-nespokoja\/","title":{"rendered":"Fragmenti nespokoja"},"content":{"rendered":"\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Predstava \u201cFragmenti nespokoja\u201d nastala je po motivima dela Fernanda Pesoe, a kroz istra\u017eiva\u010dki proces autorske ekipe koji je podrazumevao vi\u0161e faza kao i aktivno propitivanje nekih od postulata dramskog teatra.<br>Stvarala\u0161tvo Fernanda Pesoe i njegove specifi\u010dne metode rada ponudile su polazi\u0161ta za situacije i ose\u0107anja koje smo scenski poku\u0161ali da istra\u017eimo.<\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Teme kojima se Pesoa, odnosno njegov heteronim Bernardo Soare\u0161, bavi u \u201cKnjizi nespokoja\u201d su otu\u0111enost, usamljenost pojedinca, teskoba, prolaznost, ali i istovremena \u017eudnja za svim mogu\u0107im \u017eivotima, \u017eelja da se \u017eivot i\u017eivi do krajnjih granica. Upravo ovi motivi pro\u017eimaju fragmente nespokoja koje scenski istra\u017eujemo.<\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Kao multimedijalno izvo\u0111a\u010dko delo, predstava podrazumeva istovremenu autonomiju ali i sadejstvo svih autora i svih medijskih tokova koji scenskom izrazu daju slojevitost.<br>Trude\u0107i se da, u istra\u017eiva\u010dkom duhu, ostanemo uvek na granici, postavili smo se u poziciju \u201cpesoanskog\u201d \u010doveka \u2013 \u010doveka Moderne \u2013 onog izme\u0111u romantizma i postmodernizma, onog za koga smisao nije pra\u0107enje jednostavne i jasne putanje, ve\u0107 upravo konstantna potraga, proces, razgradnja i izgradnja identiteta.<\/p>\n\n\n\n<p>Igraju:<br>Milica Stefanovi\u0107<br>\u017deljko Maksimovi\u0107<br>Marija Opsenica (glas)<\/p>\n\n\n\n<p>Rediteljka: Ana Konstantinovi\u0107 <\/p>\n\n\n\n<p>Dramatur\u0161kinja i asistentkinja rediteljke: Marina \u0106etkovi\u0107<\/p>\n\n\n\n<p>Dramatur\u0161kinja: Tamara Bara\u010dkov <\/p>\n\n\n\n<p>Scenografkinja: Vi\u0161nja Vujovi\u0107<\/p>\n\n\n\n<p>Kostimografkinja: Milena Gro\u0161in<\/p>\n\n\n\n<p>Video rad: Marija Kova\u010dina<\/p>\n\n\n\n<p>Dizajn zvuka: Dobrivoje Milijanovi\u0107<\/p>\n\n\n\n<p>* Kori\u0161\u0107eni su odlomci i tekstovi iz slede\u0107ih dela:<br>-\u201cKnjiga nespokoja\u201d u prevodu Vesne Stamenkovi\u0107<br>&#8211; \u201cTrafika\u201d i \u201c\u0160kembi\u0107i u saftu\u201d iz zbirke pesama \u201cPoznati stranac\u201d u prevodu Jasmine Ne\u0161kovi\u0107<\/p>\n\n\n\n<p>***<\/p>\n\n\n\n<p class=\"has-text-align-justify has-tablet-text-align-justify has-mobile-text-align-justify\">Fernando Pesoa (1888 \u2013 1935) je portugalski pisac, pesnik, esejista, prevodilac, filozof i astrolog. Najpoznatiji je knji\u017eevnik Portugala, a zna\u010dajno je obele\u017eio i modernu evropsku I svetsku knji\u017eevnost. Njegova posebnost je u tome \u0161to je u svom radu koristio brojne heteronime \u2013 preko sedamdeset \u2013 od kojih su najpoznatiji Alberto Kaeiro, Rikardo Rei\u0161, Alvaro de Kampu\u0161 i Bernardo Soare\u0161, i tako neprestano umno\u017eavao svoje stvarala\u010dko Ja.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Prikaz predstave autorke Ivane Dakovi\u0107 na internet portalu hocupozoriste.rs mo\u017eete prona\u0107i<strong>\u00a0<a href=\"https:\/\/hocupozoriste.rs\/vesti\/nespokojna-umjetnost\">OVDE.<\/a><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Fotografije: Jovan Nedeljkov<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/www.ehoanimato.org\/?attachment_id=95\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" 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\/><\/a><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Predstava \u201cFragmenti nespokoja\u201d nastala je po motivima dela Fernanda Pesoe, a kroz istra\u017eiva\u010dki proces autorske ekipe koji je podrazumevao vi\u0161e faza kao i aktivno propitivanje nekih od postulata dramskog teatra.Stvarala\u0161tvo Fernanda Pesoe i njegove specifi\u010dne metode rada ponudile su polazi\u0161ta za situacije i ose\u0107anja koje smo scenski poku\u0161ali da istra\u017eimo. Teme kojima se Pesoa, odnosno [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-94","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/94","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/comments?post=94"}],"version-history":[{"count":6,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/94\/revisions"}],"predecessor-version":[{"id":1002,"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/pages\/94\/revisions\/1002"}],"wp:attachment":[{"href":"https:\/\/www.ehoanimato.org\/index.php\/wp-json\/wp\/v2\/media?parent=94"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}